CURIOUS
FOR MUSIC.

There is something inherently cinematic about a song that refuses to stay in its original moment. For Calcutta-born, Madrid-based artist weyvir, “Streets of Love, Pt. 1” has spent almost eight years travelling alongside its creator, evolving from a high school heartbreak song into a vivid piece of indie rock that feels surprisingly at home in the present. The track opens the door with bright, immediate melodies, but its emotional centre is considerably more complicated. Writt

Candi Carpenter's story begins in a world of gospel music and evangelical Christianity. Raised in a pastor's family, Carpenter grew up performing with their family's gospel band and traveling throughout the Midwest. Music was not simply an early career choice. It was part of the environment that shaped their understanding of identity, community, morality, and belonging. Years later, those experiences have become some of the most important raw material in Carpenter's art. Thei

There is something deliciously unsettling about asking “are we alright?” in 2026. London avant-pop artist Lolli Wren takes that deceptively casual question and stretches it into a cinematic meditation on doomscrolling, urban isolation and the peculiar loneliness of being permanently connected. Her latest single, ‘are we alright?’, inhabits that uncomfortable space between pop song and psychological theatre, where contemporary anxiety is given a dramatic costume and invited on

Electronic project mokroïé, the multidisciplinary creation of composer and producer Francesco Virgilio, explores existence, mortality, adolescence and loss on new EP ‘Unanswered’, a four-track journey accompanied by a series of cinematic films. Blending progressive electronics, organic instrumentation and psychedelic textures, Unanswered moves between the infinite scale of the cosmos and the intimate complexities of human emotion. Rather than offering definitive answers, the

"honest," the new single from Blue Capricorn and LOREN KOLE, is a study in musical restraint and emotional precision. The track, a collaboration between the experimental indie artist and the Cuban-American producer, is a compelling piece of Latin indie-pop that succeeds by prioritizing atmosphere and lyrical vulnerability over overt hooks or grand gestures. It is a sophisticated offering that reveals new layers with each listen. Musically, the track is built on a foundation o

Arbor takes its title seriously. Wazzara's fourth release is structured around ideas of rootedness, buried memory and renewal, and its music repeatedly enacts those concepts rather than merely illustrating them. Riffs emerge slowly from dense textures, melodies are partially obscured before returning with greater force, and moments of apparent stillness carry the latent threat of another eruption. The album's seven tracks therefore operate less as discrete songs than as inter

Strascha's “Hack” arrives like a beautifully controlled explosion. A collision of industrial pop, alternative pop and pop rock, the track takes emotional overload and turns it into something immediate, noisy and exhilarating. There is attitude in abundance, but beneath the bravado sits something considerably more human: a song born from anger, sadness and the decision to turn difficult feelings into creative fuel. The circumstances behind “Hack” almost seem too perfect for th

There is something wonderfully perverse about being told to have a “Happy Friday” when the day itself appears determined to make that proposition impossible. A Project Called Love turns that familiar contradiction into the central spark of their new single, transforming irritation, exhaustion, and everyday absurdity into something surprisingly celebratory. “Happy Friday” is not so much a song about having a good day as it is about refusing to let a bad one have the final word

There is something refreshingly old-fashioned about Villain. Not in its sound, which is deliberately eclectic, but in its belief that an album can still function as a complete piece of storytelling. Talon David approaches the project less like a collection of singles and more like a manuscript, giving each song a role in a larger narrative about anger, grief, loneliness, rejection, self-discovery, and finally freedom. The result is an ambitious alt-pop and neo-soul record tha

Songs From The Sun feels like a record built around movement. Its songs travel from roaring guitars to quiet reflection, from intimate observations to moments that seem designed to fill the biggest room in the house. Joe Osgood anchors the album with direct, emotionally open songwriting, while The Fathers of Light provide the scale. “All You Good People” rises immediately, its guitars and rhythms creating an expansive opening statement. From there, the album continually shift

Photo Credit: Rachit Vora London-born singer-songwriter Mila Sidhu brings her Indian heritage to the forefront on latest single ‘One Night’, a sultry fusion of alt-pop and R&B built around confidence, desire and taking control. Seductive and rhythmically charged, ‘One Night’ captures the electricity of walking into a room knowing all eyes are on you. Rather than placing Mila in pursuit of somebody else, the track reverses the dynamic and puts her firmly in control of who gets

Photo Credit: Tomm Morton rom busking on the streets of Camden to selling out shows around the world, Cam Cole has built his career by following his own path. Now, the blues-rock force turns that philosophy into ‘Chasing Dreams’, the latest single from his forthcoming album Lost In Creation. Set for release on October 30, Lost In Creation represents an expanded new chapter for the fiercely independent artist, with ‘Chasing Dreams’ combining his trademark blues grit and vintag