CURIOUS FOR MUSIC: FRESH HITS (09.05.25)

Bringing you music that you should be curious about!

Soapman ‘Y. L. T. Y.’

Listening to “Y. L. T. Y.” feels like chasing a gremlin through a carnival—unexpected twists, distorted guitar grins, and lyrics that read like a diary entry mid-meltdown (in the coolest way possible). Soapman somehow make emotional unravelling sound like a party, and honestly? We’re here for it. Weird is wonderful, and this track is both.

Sunrise in Jupiter ‘Take Me Home’

Sunrise in Jupiter’s “Take Me Home” is the kind of song that makes you want to scream into the void — and then call your parents. It’s cinematic, full-throttle alt-rock with just enough emotional weight to ruin your day in the best way. Powered by a real-life message from the frontman’s kid, it wraps existential longing in crashing guitars and choruses built for stadiums. It’s heartbreak you can mosh to — and somehow, it makes space feel more human than Earth.

Shawn Matthew ‘Work To The Beat’

Imagine if Jauz, Odd Mob, and a trap goblin threw a rave in a haunted warehouse—that’s the energy “Work to the Beat” brings. Shawn Matthew ditches his melodic past and goes full chaos mode with this high-voltage track built to rattle speakers and melt your eyebrows off (in a good way). It’s loud, it’s filthy, and honestly, we can’t stop hitting replay.

Stephen Sol ‘Forever Changed’

Stephen Sol’s “Forever Changed” is like the emotional support blanket you didn’t know you needed. With featherlight guitar lines, tender vocals, and the kind of lyricism that makes you text your ex (don’t do it), Sol perfectly captures that bittersweet moment when love walks out the door — but leaves its scent on your hoodie. It’s nostalgic, poetic, and painfully relatable in the most beautiful way.

Limahl ‘A Horse With No Name’

With his first single in over five years, Limahl dives into new territory by reimagining America’s “A Horse With No Name” — and the result is unexpectedly mesmerizing. Gone are the dusty acoustic strums; in their place are silky synths, pulsing beats, and a sleek retro-futurist vibe that lands somewhere between a ‘90s chill-out record and a midnight road trip playlist. It’s a bold move, but it works, turning a folk-rock classic into a quietly hypnotic electro-pop gem that proves Limahl still knows how to make a moment feel timeless.