CURIOUS
FOR MUSIC.

Close to Monday’s “Breakdown Simulations” feels less like a song and more like a psychological landscape — a place where pressure, beauty, and disintegration coexist. The duo construct a world of cold synths and cinematic tension, but inside it, a fragile heartbeat pulses. It’s the sound of self-control eroding into something strangely liberating. The track unfolds like a slow-motion implosion. Metallic textures shimmer over an anxious rhythm, while Anna’s voice — calm yet tr

From the first beat, “Crash Out” stakes its claim as a track of unflinching intensity and ambition. That Kid J The Don approaches the song with the precision of a fighter and the introspection of a poet, crafting a sound that is both kinetic and emotionally charged. It’s a record built on contrasts: aggression balanced with vulnerability, high-octane performance tempered by authenticity, and regional sonic influences that resonate with universal themes. Right away, it’s clear

Nigerian artist Dantiti has returned with “Big Big Tinz” , a jubilant and infectious single that fuses Afrobeats, Afrofusion, and R&B.  From the first beat, the track commands attention with its propulsive percussion and shimmering synths, immediately showcasing Dantiti’s knack for crafting music that is both energetic and emotionally resonant. The production, courtesy of Leo Pynk, balances the celebratory vibe of danceable Afrobeats with subtle textures that give the song de

Walter Miller’s new single “Basic Instinct”  is not just a song—it’s a full-blown spectacle. From the very first chord, Miller struts into your ears with all the confidence of a pop-rock prince, fusing the grandeur of ‘70s arena rock with a sleek, modern polish. Think glittering guitars meet powerhouse vocals, wrapped in a dramatic flair that’s pure Miller. It’s a track made for turning heads—and for streaming on repeat while you strut through your weekend. The track sees Mil

Vienna-based Rupert Träxler has been quietly redefining electronic music, and his latest single Atmospheres  confirms that he’s a producer unafraid to blur boundaries. Following The Journey  and Darkness , this release sees Träxler fusing drum & bass, jungle loops, and heavy rock with a cinematic approach that feels both immersive and expansive. What sets Atmospheres  apart is its sense of movement. Each section evolves organically, with jungle grooves skittering beneath heav

Zuko Sian’s “Spill A Little Tea”  is a bold, intimate statement from an artist already making waves in the contemporary soul scene. Blending jazz, hip-hop, and cinematic soul, the Dutch–South African singer delivers a track that’s both reflective and confrontational. Her signature “Burgundy red” vocals glide effortlessly over warm, textured instrumentation, giving the song an emotional weight that belies its fifteen-minute writing session. The song’s story is personal yet uni

OUTER’s “Svartsengi” is a study in suspended motion, a piece that doesn’t progress so much as unfold in slow, deliberate exhalations. Tom Soetaert has long occupied an intersection where ambient composition meets chamber pop, but here he achieves a rare synthesis: a song that feels simultaneously monumental and almost imperceptibly small. The tape-worn piano loop at its center is deceptively simple, the kind of motif that feels discovered rather than composed, as though it ha

Rising alt-indie trio Saltend Recovery deliver a quietly powerful seasonal gem with their new single “Christmas Ambulance”, a cinematic track that balances understated warmth with moments of emotional lift. Crafted with storytelling precision, the song captures the subtle complexities of the festive season, where joy and sorrow often coexist. Produced by Terence Dunn and mixed and mastered by Eddie Al Shakarchi (Voya), the track reflects the band’s meticulous, handcrafted app

Florence-based duo Out Run returns with “Gray Cloud,” an emotionally charged dark-pop ballad that confronts the quiet heaviness of depression and the aching loneliness of the unheard. Released as the next chapter in their signature “80s 3.0” sound, the track drifts between dream pop and atmospheric synthwave, establishing a sonic space where 80s nostalgia meets modern electronic sensitivity. At the centre of the track is a stark, unwavering metaphor: the persistent cloud that

Ben Hazlewood’s ability to weave the familiar into timeless storytelling strikes once again — this time through his own reimagining of Phil Collins’ “Another Day in Paradise.”   Rather than leaning on nostalgia alone, Hazlewood reframes the classic as something deeply present, allowing its message to breathe in a modern emotional landscape. The result is a cover that feels less like a tribute and more like a conversation across decades. To Ben, “Another Day in Paradise”  is a

There’s something quietly powerful about a debut that doesn’t shout for attention but earns it. The Ingrid are set to unveil their first single, “Limerence,”  an ever-expansive sonic landscape that leans into intimacy, emotional clarity, and hard-won self-acceptance. Rather than rushing toward bombast, the track unfolds patiently, shimmering with the kind of restraint that suggests a band already confident in who they are — and unafraid of the messy truths that come with that

“Fly Away”, the latest single from actor, composer, and singer-songwriter Peter DiMaggio, whose work continues to blur the lines between music, film, and emotional storytelling. “Fly Away” is an expansive slice of indie-pop — atmospheric yet deeply human — that invites listeners to break free from the weight of the past and rediscover their own wings. With lush production and an anthemic spirit, “Fly Away” draws inspiration from The 1975 and Coldplay, marrying layered guitars

Trigger My Aria  sees Maria Rosa La Kakiee exploring the tension between vulnerability and assertion.  The track’s neo-classical strings create an almost cinematic introduction, while the modern beats give it an edge rooted in contemporary hip-hop. Produced by Mike Midura, the song is meticulously crafted, each element feeling deliberate and resonant. Her voice is understated yet piercing; there’s a smoky texture that carries emotional weight without ever tipping into melodra

Peruvian DJ/producer Diego Barrera and Cameroonian vocalist Ameh Fashi join forces on Legendary, a thunderous Afro-house collaboration released via Glasgow Underground that feels as expansive as the distance between their home continents. It’s a meeting of two bold artistic identities, two rhythmic traditions, and two unmistakable creative energies, all colliding in a track built to shake peak-time dancefloors. From its opening moments, Legendary surges with purpose. Fashi’s

Rachel Harlow’s new single, Caelina , is a hauntingly cinematic exploration of grief, loss, and transcendence. Berlin-based and classically trained as a violinist, Harlow has spent years transforming personal hardship into music that’s at once intimate and expansive. Her artistry lies in her ability to balance fragility and strength, creating songs that feel deeply personal while resonating on a universal level. Following her previous singles, which earned recognition on Spot

Toronto ambient composer Brady Kendall, performing under the moniker Alaskan Tapes, returns with a pair of hauntingly beautiful tracks, Blank Slate and Open Space, in collaboration with Portland saxophonist Blu Miles. These two deeply textured compositions mark a new chapter in Kendall’s career, combining intimacy, expansiveness, and emotional depth into a meditative AA-side release. Over the past decade, Kendall has established himself as a quietly influential voice in moder

Aaron Koenig returns with Blow My Mind!, the title track from his eagerly awaited second full-length album, delivering a seamless fusion of spirituality, rhythm, and soulful reflection. A musical free-thinker, Koenig balances profound lyrical themes with grooves that compel the body to move, creating an experience that is both intellectually stimulating and emotionally resonant. The 12-track album is an immersive journey designed for listeners who crave depth in music. Koenig

ÆTHR doesn’t simply release music — he unveils worlds.  With ‘Santa Maria’ , the Madeira-born pop provocateur delivers a brooding electro-pop statement that feels both intimate and monumental, a track suspended between sacred imagery and nocturnal temptation. From its opening seconds, the single pulls you into a shadowy cinematic space where tension simmers beneath every synth line. Sonically, ‘Santa Maria’  thrives on contrast. Gothic atmospheres collide with club-ready prop

AKIRAH’s “Mamacita”  is an exercise in sonic narrative, transforming a fleeting moment of video game inspiration into a full-fledged riddim journey.  Drawing from GTA: San Andreas, the track channels the Los Santos Vagos gang into a hyper-real soundscape, where each wobble, drop, and synth line feels both deliberate and kinetic. From the first Latino UK drill-inspired bars, AKIRAH establishes tension that is maintained throughout the track’s relentless momentum. The song’s st

Limahl, the ‘80s icon who first captivated the world as the lead singer of Kajagoogoo, is bringing holiday cheer this December with the re-release of his only Christmas song, ‘One Wish For Christmas’. The track has already generated buzz online, with its official video surpassing 72,000 views. Following the critical acclaim of his five-year comeback single, a reimagined version of ‘A Horse With No Name’, Limahl’s latest effort demonstrates his ability to blend nostalgia with