CURIOUS
FOR MUSIC.

With Alice In Underland, Beverly Hell invites listeners into a beautifully distorted dreamscape where fantasy and reality intertwine. The Los Angeles-based singer, producer, and multimedia artist unveils a debut EP rich in atmosphere and artistic intention, presenting six tracks that chart both a creative awakening and a personal evolution. Inspired by the surreal imagery of Lewis Carroll’s classic tale, the project transforms familiar symbols into a contemporary meditation

UKofA delivers a deeply textural and genre-fluid experience on Time Will Take This All Away From Us, an album that feels designed as much for headphones as it does for immersive visual spaces. From the outset, it’s clear this is a project rooted in sound design as much as songwriting. The production palette is incredibly diverse, pulling from ambient electronics, fragmented hip-hop sampling, alternative rock instrumentation, and experimental noise. Yet instead of feeling scat

Few bands manage to capture the spirit of classic mod culture with the same effortless charm as The Chelsea Curve, and The Rideout may be their strongest statement yet. The album feels vibrant from the opening moments, balancing razor-sharp hooks with a loose, celebratory energy that makes every track feel lived-in rather than overly calculated. There’s an undeniable confidence running through the record, the sound of a band fully comfortable in their identity yet still eager

Belgium-based queer indie-pop artist ROIL arrives with Living Outside the Closet, a debut that feels simultaneously diaristic and cinematic. Across eleven tracks, the project captures the emotional turbulence of identity, heartbreak, masculinity, and healing with an honesty that rarely feels performative. Rather than romanticising pain, ROIL frames it as an unavoidable companion to growth, allowing vulnerability to become the album’s defining texture. The project’s greatest s

Canadian ambient composers Alaskan Tapes and Blu Miles come together on Blank Slate, Open Space with a rare sense of patience and emotional clarity, crafting a record that feels less like a traditional collaboration and more like a shared state of mind. Across seven quietly immersive compositions, the album explores the space between distance and intimacy, turning remote creation into something profoundly human and deeply connected. Led by the stunning centerpiece “In-Cloud,”

Rzekomo's new album 'The Gray Zone of Talk' is built around an apparent contradiction: a highly regimented conceptual framework attempting to articulate the instability of human understanding. As the third installment in the artist’s decade-long 10 times 10 gives 100 project — ten albums, ten tracks, ten years — the record exists within strict numerical boundaries. Yet the music itself feels elusive, constantly dissolving before it can settle into certainty. Inspired by Henri

Newcastle-born, Paris-based songwriter Tom Hancock arrives with an ambitious and emotionally resonant debut in Innate Subjects, an album that stretches the boundaries of contemporary folk while remaining deeply rooted in intimacy and human vulnerability. Recorded in Paris and produced alongside Saving Felix, the eight-track release merges delicate acoustic songwriting with ambient electronics, cinematic textures, and subtle experimental flourishes, creating a body of work tha

Curly Mouth’s Watermelon & Ginger arrives like a scrapbook flung open mid-wind, pages fluttering between bedrooms, rented studios, and half-remembered cities. It’s a record built on motion, not arrival, and that restlessness gives it a distinct pulse. Across 19 tracks, Curly Mouth doesn’t so much settle into ideas as he tests how far they can bend before breaking. There’s a charming refusal here to commit to genre orthodoxy. One moment you’re in delicate folk terrain, all war

Megan Lacy’s debut That Feelin’ is a carefully constructed exercise in mood-driven Americana that prioritises atmosphere over immediacy. Across twelve tracks, Lacy situates herself within a long lineage of narrative-first singer-songwriters, though she rarely deviates into territory that feels structurally surprising. There is a clear commitment to authenticity in both writing and performance, particularly in the decision to record live at King Electric Recording. That choic

There’s a very specific kind of exhaustion that AFTERwork captures – not just physical tiredness, but the mental static of always being on. Malmö duo MAMI UMAMI translate that feeling into a hyperactive, genre-fluid EP that blends hip-hop, club music, punk energy, and fractured pop into something that feels both curated and completely unhinged in the best way. From the opening seconds of ‘PAPER’, the project establishes its palette: glitchy percussion, elastic vocal delivery,

Corban Chapple steps forward with Maybe We’ll Make It , a debut EP that feels warm, ambitious, and quietly assured. Built on a foundation of alternative R&B, soul, and jazz-tinged production, it introduces an artist who is less interested in spectacle and more invested in emotional truth. There’s a softness here, but also a clear sense of direction. What stands out immediately is how personal the project feels. Written during a period of relocation and self-redefinition in Ne

Waver are back—and they’re bringing decades of experience with them. The acclaimed rock duo have unveiled their powerful new album, Space and Time, a 13-track project that fuses the raw spirit of ’90s rock with the emotional depth of a lifelong creative partnership. Now available worldwide, the release marks a thrilling new chapter for the band. Mike Sartor and Dorsey Stone first met as college roommates at Colgate University in the late 1990s. What began as late-night jam se

Alt-pop is officially having its “nostalgia but make it cinematic” moment, and Miles Jeppson is walking straight into the centre of it with a grin and a perfectly colour-graded aesthetic. Please join us in giving a huge, warm welcome to an artist who is rapidly becoming one of the most exciting new voices redefining emotional pop for a digital generation. His new eight-track LP Green doesn’t just mark a release — it signals the arrival of a fully formed era. From the opening

This Is What It Feels Like can be understood as a map—not of places, but of emotional states. Whitlock and Bauer chart the contours of connection with a precision that feels both analytical and deeply felt. The result is an album that invites not just listening, but navigation. The production choices reflect this cartographic approach. Sounds are placed with intention, creating a sense of spatial awareness that enhances the album’s thematic concerns. Synths stretch outward li

On Dancing In My Room, Yugs doesn’t just deliver an album; he opens a door into a life mid-collapse and slow reconstruction. Five years in the making, the record feels lived-in rather than constructed, stitched together from rupture, recovery, and restless self-interrogation. At 37 minutes and 50 seconds, it moves with intention but never rushes its emotional arrivals. Musically, it’s a borderless sprawl that still somehow holds its shape. Bossa nova brushes against Chicago p

Sev Karlsson’s Reverie arrives with a quiet confidence, unfolding like a series of half-remembered dreams rendered in sound. Across its four tracks, the EP balances delicacy and intention, drawing from the atmospheric sensibilities of artists such as Toro y Moi and Bon Iver while retaining a distinctly personal voice. Karlsson’s production is textured yet restrained, allowing space for each sonic detail to breathe—an approach that lends the project an almost cinematic intimac

On their debut album Dog Summer, Naarm/Melbourne outfit Damn Williams transform suburban Australian imagery into something mythic, strange, and unexpectedly moving. Led by Tasmanian songwriter Elliot Taylor and expanded into a full band with Olmer Bollinger, Carla Oliver, and James Campbell, the project arrives fully formed with a record that feels ambitious in both scope and personality. Across ten tracks, the band weave together punk dissonance, theatrical art-rock, and wa

Indie electronic/post-punk duo, Vague Notion, hailing from British Columbia, Canada return with their new six-track EP Glow. Known for their signature cinematic sound, blending electronic production with guitar-driven arrangements, the duo have built a reputation for creating immersive listening experiences. On Glow, they continue that approach, delivering a project that feels both seamless and wide-ranging. From the opening track, ‘Visceral Reaction’, the EP immediately esta

There’s something undeniably compelling about an artist who wears their heart on their sleeve, and with Let’s Try Again, Will Foulke delivers a collection that does exactly that. The album is a deeply personal exploration of love, loss, and the courage it takes to begin again. From the very first track, listeners are drawn into Foulke’s world, a space defined by honest lyricism and rich musical textures. His ability to translate complex emotions into relatable narratives is o

There’s an ethereal magnetism to Max Nemo’s Nexus that immediately captivates. The opening track, Fool , feels like stepping into a quiet world of introspection, where trust and self-exploration are delicately entwined. Nemo’s vocals are intimate, almost whispering, yet the production envelopes them in cinematic grandeur. Nyad rides the tides of perseverance and fluidity, with a soundscape that is both expansive and meditative. It’s a track that mirrors the endurance of the