CURIOUS
FOR MUSIC.

Irène Schrader’s ECLIPSE  feels like a deep breath taken somewhere between departure gates and late-night city streets, bringing serenity to the apparent chaos of a traveling lifestyle. The trilingual EP carries a subtle warmth that never forces itself forward; instead, it lingers, glowing softly through harmonized melodies and intimate vocal phrasing. There’s something deeply calming about the way Schrader lets these songs unfold, as if inviting the listener to drift rather

There’s a luminous confidence at the heart of The Change , a sense that Neil Friedlander has fully embraced his voice and vision. The album flows effortlessly, each track a vignette of transformation, weaving together moments of introspection with lush indie-pop textures. From opening to closing, the record is both intimate and expansive. The production, courtesy of Chris Camilleri, balances warmth with clarity. Dreamlike synths, acoustic textures, and understated percussion

Pisgah’s Faultlines  is a bold and emotionally resonant sophomore statement. From the outset, the album signals a willingness to confront difficult truths, opening with “Cumulonimbus,” where lush guitars and shimmering synths mirror the turbulence of its lyrical themes. Pisgah demonstrates an acute ability to merge indie-rock sensibilities with confessional storytelling, creating songs that feel both intimate and cinematic. Throughout the record, Pisgah navigates themes of tr

The latest release from this Detroit ensemble XCVIII presents a contemplative pause in what has been a fast-moving trajectory. From the first few bars, Till Next Time establishes a distinctive tonal palette, balancing artful restraint with bursts of energy that feel both intentional and emotionally resonant. It is a work that rewards close attention, offering layers of nuance beneath its immediate melodic appeal. Fronting the project is a vocalist whose delivery is both expre

Visa Anxiety’s What Can I Get For You? Love?  feels like a diary set to indie-rock instrumentation.  From the opening chords of “Closed Eyes,” the band invites listeners into the quiet, tender act of self-reinvention. Mandarin lyrics intermingle with British-indie guitar, turning what could be a simple meditation on change into something nuanced and intimate. It’s the kind of song that lingers in the mind long after it ends, asking us to consider how we move through our own l

Konrad Kinard’s War Is Family (Surviving the Cold War and the Unraveling of an Imagined America) is a fearless exploration of memory, history, and imagination. Across twenty tracks, the Texas-born composer, multi-instrumentalist, and performance artist fuses spoken word, experimental soundscapes, and Americana-infused instrumentation into a work that is both deeply personal and broadly resonant. From the ominous opening of “Born A Texan” to the reflective close of “A Texas Su

Emerging from the UK music scene with a sound that’s impossible to ignore, Perspective—KG (Lead Vocals), Liam (Bass), Ezra (Drums), and Riccardo (Guitar)—are ready to make waves with their self-written, self-produced 11-track debut album, Look Both Ways. Two-and-a-half years in the making, this record is a bold statement: a sonic fusion of irresistible funk grooves, disco sparkle, pop immediacy, and a punch of alternative energy. The result? A sound that feels familiar enough

Nia Perez’s debut EP, Things I Wish I Said , immediately marks her as a compelling new voice in the indie pop landscape—a songwriter who understands that vulnerability is not a branding exercise but a creative compass. The Venezuelan artist has crafted a deeply personal collection of five songs that play like private diary entries, each one shaped as a letter never sent. It’s an intimate concept, but Perez delivers it with remarkable polish and artistic poise. The opening tra

If 2025 has belonged to anyone in the UK Latino scene, it’s Lisey Tigra.  After a breakthrough year that saw her tearing up Glastonbury’s Shangri-La and packing out The Jazz Café, the British-Colombian artist caps it all with her debut album LT —a record that feels like both a victory lap and a mission statement. Fresh off the success of her swaggering single “BANDIDA,” Tigra rolls into her new era with a sound that hits the sweet spot between old-school reggaetón cool and mo

Almost Alive are back, and they’re diving deeper than ever before.  The New Jersey AI-driven rock project has announced ‘Eclipse Within’ , the lead single from the new album ‘Hypnotica’ . The track marks a striking evolution — slower, heavier, and more immersive in tone. Built around hypnotic progression rather than instant impact, ‘Eclipse Within’  blends modern rock energy with cinematic and progressive atmospheres. The result is a track that feels expansive and inward-look

On La Insoportable Levedad De No Ser Nadie En Internet , El Marido Ideal turns a mundane annoyance—spam mail—into an existential exploration of identity in the digital age. What begins as an absurd anecdote becomes the backbone of a concept album filled with longing, satire, and sonic boldness. The result is a record that sounds both playful and profound. The album centers on a heartbroken cyber-scammer who chases affection through deception but ultimately seeks the same thin

Hamburg-based duo counterglow make a striking entrance with echoes of self , an album that marries dreamy synth textures with indie-soul warmth. Lauren Goodley’s ethereal vocals glide effortlessly over Jonas Grell’s lush production, crafting a sound that feels both expansive and intimate. It’s an album that drifts between cinematic soundscapes and groovy, late-night rhythms, inviting listeners to sink into their own thoughts. The record thrives on contrasts. Opening track “ec

GRACE.’s debut album Hourglass Plea  arrives like a whispered confession in a world that rarely stops to listen. The rising artist wastes no time carving out a space that feels intimate, candlelit, and slightly bruised — the kind of space you stumble into when the weight of the day catches up. There’s a rawness here that’s refreshing, especially in an era where vulnerability is often stylised but rarely felt. Written during a year defined by emotional upheaval, the album wear

“All motion begins with purpose,” declares Jason Williams and his SonicNeuron creative team—and from the first shimmering chord, you sense they mean it. This isn’t an album built merely for playlists or parties; it’s a journey of feeling, a meditation on movement, and an ode to why we go anywhere at all. SonicNeuron doesn’t just play music—they chart emotions, crafting an auditory atlas of longing, joy, memory, and hope. Each track on All Motion Begins with Purpose  feels lik

With Grammy consideration looming for her breakout song “Lightweight” and a recent invitation to join the Recording Academy’s 2025 New Member Class, Nashville-born, New York–based singer-songwriter Lauren Minear returns with BOXING DAY, her most candid, courageous, and emotionally intricate body of work to date. Minear has never followed a straight line through music. A therapist, mother, and storyteller with a finely honed instinct for emotional nuance, she writes songs that

US singer-songwriter Patrick Keller makes a striking and heartfelt return with Winded, an 11-track debut that feels less like a reintroduction and more like an unfiltered confession. Intimate, atmospheric, and quietly powerful, the record traces the fragile space between hurting and healing, where breath is short, emotions run deep, and clarity arrives only in fleeting, luminous moments. Blending alternative and folk influences, Keller shapes a sound that is both raw and cine

There is a warm glow to Dauson City Gold Rush , the new album from Toronto songwriter Katie Dauson—one that comes not from nostalgia, but from craft.  Her latest full-length is cinematic without being dramatic, intimate without becoming confessional for confession’s sake. Instead, she offers eight tracks of well-drawn characters, lived-in reflections, and melodies that seem to carry the pulse of a road trip at golden hour. It begins with “Scene Stealing Casanova,” a track tha

From the quiet stillness of dawn to the fading light of dusk, Liron Meyuhas’ new album Sunrise to Sunset  offers an immersive journey through the day’s natural rhythms. Conceptualized as a live performance experience, the 10-track album captures improvised compositions that respond intuitively to the shifting energies of morning, afternoon, and evening. Meyuhas approached the project as a personal experiment in time and sound, exploring how the hour of day shapes both mood an

Atlanta’s darkwave landscape has been steadily expanding, but r4vn’s raven’s inferno  arrives not just as another addition but as a world-builder’s manifesto. Across nine tracks, she crafts an album that feels less like a debut statement and more like an invitation into a fully realized realm—one shaped by witch-house kinetics, dark fairy-core mystique, and the ethereal glow of her unmistakable voice. It is a record that sits comfortably beside artists like Crystal Castles an

Sixth House’s new EP, House of God , arrives as both a personal manifesto and a sonic adventure. With six tracks spanning liquid drum and bass, melodic bass, and EDM, the project is a raw exploration of faith, anger, vulnerability, and self-acceptance. It’s clear from the opening moments that this isn’t just music—it’s a lifeline, a narrative of resilience forged in adversity and emotional honesty. The story behind Sixth House’s sound adds layers to the listening experience.