CURIOUS FOR MUSIC: FRESH HITS (26.09.25)

Welcome to our bi-weekly round-up, where we spotlight the freshest releases, emerging voices, and genre-pushing music from across the globe. Whether it's a chart-shaker or an underground gem, if it moves us, it's here. Bringing you music that you should be curious about!

Daria Mirea ‘Don’t Know Love Yet’

A tender exploration of innocence and longing, Daria Mirea’s vocals float effortlessly over gentle folk-pop instrumentation. The song captures the hesitant curiosity of first love with sincerity and warmth. Its simplicity is its strength, leaving a lingering sense of wistful nostalgia.

Temi T ‘Painted Intentions’

Temi T’s “Painted Intentions” is like stepping into a diary set to music — raw, honest, and impossibly smooth. Her spoken word flows over jazzy R&B beats like liquid gold, and every line hits like it’s written just for you. It’s the kind of track that makes you pause, sip your coffee, and think, “Wow, she just said what I couldn’t put into words.”

Collin Keller ‘Weed in the Garden’

Keller turns defiance into a groove with “Weed in the Garden.” It’s indie surf pop with teeth, and it leaves a mark.

Will Foulke ‘Charleston Blues’

With “Charleston Blues,” Will Foulke delivers a searing guitar performance that lingers long after the last note fades. The track balances intensity and introspection, making it a standout centerpiece of his debut album.

Elare André ‘What’s Baby’s Name?’

With sly humor and shimmering production, Elare crafts a confident anthem that redefines the hip-hop brag track on his own terms.

Marsha Swanson ‘Generational Tranmission’

With Generational Transmission, Marsha Swanson delivers one of her most ambitious works to date, weaving lush instrumentation recorded at the legendary Konk Studios with a visually stunning claymation narrative. The hand-sculpted figures embody the malleability of identity, while Swanson’s evocative songwriting reminds us that inheritance is not destiny but possibility.