Harry Hudson Taylor’s “Dear You, It’s Me” is Soft-Voiced Magic
- Curious For Music Team
- Jul 28, 2025
- 1 min read
Okay, so this isn’t your usual single-drop hype moment — but in a way, that’s what makes Harry Hudson Taylor’s “Dear You, It’s Me” feel so powerful.
It’s calm. It’s slow. It’s just a voice — his voice — gently letting you into something that started off as a diary entry. And somehow, it lands harder than half the bangers in your release radar.
There’s something super special about how unpolished it all is. No overproduction, no fireworks — just a quietly cinematic backdrop, some lo-fi-style instrumentals, and Harry’s voice sounding like he’s talking directly to you. It’s like a voice note from the future version of yourself who’s been through it and lived to tell the tale. And yes, we’re fully crying about it.
The accompanying short film is a vibe in its own right — all moody Berlin visuals and slow walks, ending with an embrace that says more than words ever could. It’s got the emotional weight of a coming-of-age film, but without the drama. Just raw, tender honesty and a feeling of “yeah, I needed this today.”
Harry’s heading back into more melodic territory for his upcoming releases, but “Dear You, It’s Me” is the kind of detour you’re glad he took. It’s proof that sometimes the loudest message comes in the quietest form. Also, big love for dropping the instrumental version too — we’ll be journaling and crying to that for the foreseeable.
