Sakai Drops Debut EP ‘Do You Like Me Now?’
- 12 minutes ago
- 2 min read

There is something refreshing about a debut that refuses to rush. Do You Like Me Now? introduces Sakai through four carefully crafted songs that prioritise atmosphere, emotional depth and musicianship over instant gratification.
Formed in San Francisco in 2025, the band have already developed a sound that comfortably inhabits the space between indie rock, soul and jazz, while drawing subtle inspiration from blues, funk and Japanese musical traditions. It makes for a debut that rewards patience and repeated listening.
Marié Sakai writes from a place of emotional openness, but her lyrics never become confessional for the sake of it. Instead, they observe the contradictions that shape everyday life. The desire to connect while fearing rejection. The longing to move forward while remaining tied to memory. Those tensions sit at the heart of the EP, giving every song an understated emotional weight that lingers well beyond its runtime.
Musically, the record continually finds unexpected colours. "Orange Tree" is perhaps the clearest example, taking inspiration from classical Japanese poetry and incorporating the Hirajoshi scale alongside delicate flute passages that add texture without drawing attention away from the song itself. Rather than presenting these influences as novelties, Sakai weave them naturally into arrangements that remain firmly grounded in alternative rock.
Lead single "Out" builds around restless rhythms and searching melodies that reflect its exploration of existential anxiety, while "Wanted" strips everything back emotionally, allowing Conner Currie's luminous harmonics to become a quiet emotional anchor. The closing title track gradually expands into a satisfying crescendo, with Ryan DiCenzo's spontaneous grand piano performance providing one of the EP's most memorable moments. Every player contributes meaningfully, resulting in a record that feels genuinely collaborative rather than centred on a single personality.
Engineered and mixed by Danielle Goldsmith, Do You Like Me Now? benefits from a production style that values clarity and space, allowing the band's intricate arrangements to breathe. As first impressions go, Sakai have delivered something quietly ambitious. Rather than trying to define themselves through genre, they introduce themselves through feeling, and that proves far more memorable.


