CURIOUS
FOR MUSIC.

Welcome to our bi-weekly round-up, where we spotlight the freshest releases, emerging voices, and genre-pushing music from across the globe. Whether it's a chart-shaker or an underground gem, if it moves us, it's here. Bringing you music that you should be curious about! Colm Warren ‘Without You’ ‘Without You’ success is due to Colm Warren’s emotional storytelling through his lyrics; it further proves his credibility as a songwriter. The pairing of the lyrics with the soft in

Colorado-based modern rock outfit Dirty Snowman Society has returned with their latest single, “Slow Water,” a brooding, atmospheric track that masterfully blends heavy, guitar-driven intensity with cinematic storytelling. Known for pushing past the boundaries of traditional hard rock, the band delivers a release defined by slow-burning tension and immense emotional weight. Rooted in a gripping true story, “Slow Water” explores dark subject matter through a carefully construc

Megan Lacy’s debut That Feelin’ is a carefully constructed exercise in mood-driven Americana that prioritises atmosphere over immediacy. Across twelve tracks, Lacy situates herself within a long lineage of narrative-first singer-songwriters, though she rarely deviates into territory that feels structurally surprising. There is a clear commitment to authenticity in both writing and performance, particularly in the decision to record live at King Electric Recording. That choic

Rooted in lived experience and emotional honesty, Danielle Holian has established herself as a compelling voice in contemporary poetry, unafraid to explore the complexities of love, loss, trauma, and healing. Her latest collection, Growing Pains, marks her most intimate and unflinching work to date, tracing a deeply personal journey through domestic violence, identity loss, survival, and ultimately, self-reclamation. Across her writing, Holian transforms difficult lived exper

There’s a very specific kind of exhaustion that AFTERwork captures – not just physical tiredness, but the mental static of always being on. Malmö duo MAMI UMAMI translate that feeling into a hyperactive, genre-fluid EP that blends hip-hop, club music, punk energy, and fractured pop into something that feels both curated and completely unhinged in the best way. From the opening seconds of ‘PAPER’, the project establishes its palette: glitchy percussion, elastic vocal delivery,

Corban Chapple steps forward with Maybe We’ll Make It , a debut EP that feels warm, ambitious, and quietly assured. Built on a foundation of alternative R&B, soul, and jazz-tinged production, it introduces an artist who is less interested in spectacle and more invested in emotional truth. There’s a softness here, but also a clear sense of direction. What stands out immediately is how personal the project feels. Written during a period of relocation and self-redefinition in Ne

Waver are back—and they’re bringing decades of experience with them. The acclaimed rock duo have unveiled their powerful new album, Space and Time, a 13-track project that fuses the raw spirit of ’90s rock with the emotional depth of a lifelong creative partnership. Now available worldwide, the release marks a thrilling new chapter for the band. Mike Sartor and Dorsey Stone first met as college roommates at Colgate University in the late 1990s. What began as late-night jam se

Alt-pop is officially having its “nostalgia but make it cinematic” moment, and Miles Jeppson is walking straight into the centre of it with a grin and a perfectly colour-graded aesthetic. Please join us in giving a huge, warm welcome to an artist who is rapidly becoming one of the most exciting new voices redefining emotional pop for a digital generation. His new eight-track LP Green doesn’t just mark a release — it signals the arrival of a fully formed era. From the opening

FITZ BROTHERS’ “Unsatisfied” is a compact but emotionally expansive indie-pop/rock hybrid that thrives on restraint and gradual intensification. The Vienna duo continue to refine their ability to turn intimate emotional friction into widescreen sonic storytelling. At the core of the track is a lyrical loop that feels almost mantra-like: “I know I’m not the only one for you.” Repeated throughout, it functions less as narrative progression and more as emotional fixation, an ide

This Is What It Feels Like can be understood as a map—not of places, but of emotional states. Whitlock and Bauer chart the contours of connection with a precision that feels both analytical and deeply felt. The result is an album that invites not just listening, but navigation. The production choices reflect this cartographic approach. Sounds are placed with intention, creating a sense of spatial awareness that enhances the album’s thematic concerns. Synths stretch outward li

“Without You” finds Colm Warren working in a space of delicate equilibrium, balancing personal narrative with broader emotional resonance. While rooted in a familial story, the song extends outward, touching on themes of love, resilience, and the often-unspoken transformations that define parenthood. Warren approaches these ideas with a poet’s restraint, allowing suggestion and nuance to carry the weight where exposition might otherwise intrude. What distinguishes the track i

On Dancing In My Room, Yugs doesn’t just deliver an album; he opens a door into a life mid-collapse and slow reconstruction. Five years in the making, the record feels lived-in rather than constructed, stitched together from rupture, recovery, and restless self-interrogation. At 37 minutes and 50 seconds, it moves with intention but never rushes its emotional arrivals. Musically, it’s a borderless sprawl that still somehow holds its shape. Bossa nova brushes against Chicago p