CURIOUS
FOR MUSIC.

On her latest release, the artist behind “€3.19”, Jazmine White, returns with a song shaped by introspection, honesty, and emotional self-interrogation. Originally written as an experiment in perspective, attempting to understand an avoidant attachment style, the track quickly became something more personal, revealing unexpected clarity about their own emotional patterns. Written in fragments between shifts at Starbucks and later developed with close collaborators Trinity Rey

VÆB continue their ascent into pop’s upper tier with ‘Gimme More’, a track that feels tailor-made for viral moments, live chaos, and fan-fuelled online culture. It’s bold, colourful, and unapologetically maximalist, leaning into everything that has made the Icelandic duo a standout in the current European pop wave. From the outset, the single is engineered for impact. Its tempo feels impatient, its textures deliberately exaggerated, and its hooks designed for instant recognit

Rzekomo's new album 'The Gray Zone of Talk' is built around an apparent contradiction: a highly regimented conceptual framework attempting to articulate the instability of human understanding. As the third installment in the artist’s decade-long 10 times 10 gives 100 project — ten albums, ten tracks, ten years — the record exists within strict numerical boundaries. Yet the music itself feels elusive, constantly dissolving before it can settle into certainty. Inspired by Henri

Rudi Burke’s “Red, dead Ladybugs” is the kind of song that sneaks up on you. At first, it feels simple—just a voice, an acoustic guitar, and a story—but by the time it settles in, it’s carrying a surprising emotional weight. As the first taste of his upcoming debut album Beauty Left Within, it’s a strong introduction to an artist with something real to say. The track blends folk storytelling with a light touch of alternative rock, creating a sound that feels timeless without

Newcastle-born, Paris-based songwriter Tom Hancock arrives with an ambitious and emotionally resonant debut in Innate Subjects, an album that stretches the boundaries of contemporary folk while remaining deeply rooted in intimacy and human vulnerability. Recorded in Paris and produced alongside Saving Felix, the eight-track release merges delicate acoustic songwriting with ambient electronics, cinematic textures, and subtle experimental flourishes, creating a body of work tha

Conor Fagan’s Rose Wallace Goldaline project has always existed in the space between memory and mourning, but ‘Don’t Take All This For Granted’ feels like the first moment where the fog begins to lift. Across his various aliases, Fagan has shown a talent for building emotional worlds with subtle distinctions, and here he trades the ache of regret that coloured the debut EP for something softer, warmer, and unexpectedly hopeful. The result is a song that feels deeply personal

Curly Mouth’s Watermelon & Ginger arrives like a scrapbook flung open mid-wind, pages fluttering between bedrooms, rented studios, and half-remembered cities. It’s a record built on motion, not arrival, and that restlessness gives it a distinct pulse. Across 19 tracks, Curly Mouth doesn’t so much settle into ideas as he tests how far they can bend before breaking. There’s a charming refusal here to commit to genre orthodoxy. One moment you’re in delicate folk terrain, all war

Montreal-born singer-songwriter Melina arrives at Curious For Music with a body of work that feels less like a release cycle and more like a reckoning. Her new EP A London Way Back To Me traces an emotional and geographical arc between Montreal and London, stitched together through vulnerability, reflection, and the quiet discipline of rebuilding oneself. Recorded partly at the legendary Abbey Road Studios, the project captures a moment of arrival that is also, paradoxically,

Jackson Mercer continues carving out his place in the modern pop landscape with the release of “Anxiety,” a deeply personal and emotionally charged single that transforms vulnerability into something quietly powerful. Built from lived experience and anchored by honest songwriting, the track showcases an artist unafraid to confront difficult emotions while still delivering a polished, melody-driven sound. In a genre often obsessed with perfection, Mercer’s willingness to expos

From psychedelic basslines to groove-heavy house cuts, Indigo Valet has built a sound that refuses to stay in one lane. Pulling influence from Hip Hop while weaving through House, UKG, Bass, and Indie Dance, his productions feel both organic and unpredictable, textured with warm, rounded tones and driven by low-end energy. Whether behind the decks or in the studio, Indy V creates moments that are funky, emotional, sexy, and just the right amount of filthy, keeping crowds lock

With her debut single “Dear God,” London-based singer-songwriter Olympia arrives with striking emotional clarity and a sound that feels both timeless and refreshingly modern. Born Eleni Olympia and originally hailing from a small Mediterranean island, the emerging artist channels the spirit of legendary voices like Donny Hathaway, Etta James, and Freddie Mercury while crafting something entirely her own. Rich in soul, vulnerability, and cinematic ambition, “Dear God” feels le

Revived Echoes steps into a luminous sonic moment with “Let’s Do It Now,” a track that feels like neon lights reflecting off late-night streets and impulsive decisions you don’t regret (at least not yet). It’s sleek, emotional, and effortlessly cool. The production, handled by Mike Sting, glows with a refined electrodance energy—layered synths, crisp percussion, and a rhythm that feels like motion captured in real time. It’s music that moves as elegantly as it hits. At its he