CURIOUS
FOR MUSIC.

Katie Dauson’s “Go Go Go” arrives with a clear aesthetic intent: to reconstruct 1960s garage rock through a contemporary indie lens. The result is a track that is cohesive in vision, if occasionally uneven in execution, particularly in its balancing of rawness and structure. The production leans heavily into texture — gritty guitar tones, slightly recessed vocals, and a rhythm section that prioritises feel over precision. At its best, this creates a compelling sense of immedi

Alex Kilroy’s “Break My Chains” arrives with the kind of conviction that can’t be manufactured. Rooted in blues-rock tradition but shaped by a deeply personal journey, the track feels like both an introduction and a declaration, one that positions Kilroy as a compelling new voice carrying the genre forward without losing sight of its roots. Drawing clear inspiration from Stevie Ray Vaughan and The Doors, Kilroy blends smoky blues guitar lines with psychedelic flourishes and d

jqime’s “talk to me” doesn’t aim for resolution so much as reflection. Filtering a familiar adolescent narrative through three distinct viewpoints, the band lean into dissonance and ambiguity, allowing contradiction to sit at the centre of the track. It’s a song defined as much by its silences and gaps as its hooks — bright synth lines and restless guitar work that never quite settle. Ahead of the release, we caught up with jqime to talk about perspective, restraint, and why

There’s something undeniably compelling about an artist who wears their heart on their sleeve, and with Let’s Try Again, Will Foulke delivers a collection that does exactly that. The album is a deeply personal exploration of love, loss, and the courage it takes to begin again. From the very first track, listeners are drawn into Foulke’s world, a space defined by honest lyricism and rich musical textures. His ability to translate complex emotions into relatable narratives is o

We speak with A Is For Atom whose latest record was shaped as much by life’s biggest beginnings as its quiet reckonings. Written during a period marked by profound personal change, the album moves between light and shadow, holding hope, uncertainty, and reflection in the same breath. Across walking-driven writing sessions in Brooklyn and Milan, and a collaborative recording process spanning cities and musicians, the project emerges as something both grounded and searching. We

DBsock’s latest single “worse” finds the alt-R&B producer leaning fully into emotional realism, capturing the uneasy space between self-awareness and romantic compulsion. It’s a track that feels grounded in lived experience rather than constructed narrative arcs. There’s a sense of emotional duality running through the song. DBsock is both participant and observer in a relationship that has clearly begun to distort their sense of reality. That split perspective gives the trac

Every generation gets the sound it deserves, and right now, that sound is defined by tension, between analog warmth and digital precision, between intimacy and spectacle. The artists leading this charge aren’t just making songs; they’re building sonic worlds that reflect a culture in flux. There’s a lineage here, one that stretches back through decades of reinvention. You can hear echoes of past movements—alternative rock’s defiance, hip-hop’s innovation, electronic music’s f

With a sound as vibrant as his tropical roots, Curly Mojo returns with Roads Walked (DANCE MODE), through Silent H Studios. Written, recorded, and performed entirely by the Gimuy (Cairns)-based artist, the track was elevated in Miami by Austin Leeds, resulting in a dynamic fusion of uplifting energy and heartfelt storytelling. Known for delivering a rich, full-band experience as a solo act, Curly Mojo continues to gain momentum worldwide, captivating audiences with music that

Gabriel Audee doesn’t so much return as re-enter the atmosphere with ‘DICHOTOMY (The Chosen Ones)’, a track that feels engineered for impact. Mexico-born, Colorado-raised, NYC-based, he’s carving out a space where pop, trap, and cinematic indie production collide with a kind of restless ideological urgency. This isn’t just a single — it’s a statement broadcast. From the first pulse of JRum’s instrumental foundation, the track establishes itself as something larger than conve

iSandi’s ‘Joina’ arrives like a collective breath held — and finally released. Created in collaboration with RADA Unearthed, the track positions itself less as a single and more as a shared invocation: a call for unity, accountability, and care in the face of substance addiction and social fracture. It doesn’t preach so much as it gathers — voices, histories, and intentions folded into one resonant whole. There’s a clarity to its emotional direction that feels rooted in lived

Nick Helgesen’s Scrimshaw Porn project has always thrived in the tension between intimacy and grandeur, but ‘Epilogue’ detonates that balance into something far more volatile. It’s a snarling, groove-heavy pivot that trades introspective piano minimalism for something wired, restless, and politically scorched. There’s a deliberate rupture here from the melancholic architecture of earlier works like Eleonore and Bore . Instead of restraint, Helgesen leans into propulsion — dr

There’s an ethereal magnetism to Max Nemo’s Nexus that immediately captivates. The opening track, Fool , feels like stepping into a quiet world of introspection, where trust and self-exploration are delicately entwined. Nemo’s vocals are intimate, almost whispering, yet the production envelopes them in cinematic grandeur. Nyad rides the tides of perseverance and fluidity, with a soundscape that is both expansive and meditative. It’s a track that mirrors the endurance of the