CURIOUS
FOR MUSIC.

Toronto ambient composer Brady Kendall, performing under the moniker Alaskan Tapes, returns with a pair of hauntingly beautiful tracks, Blank Slate and Open Space, in collaboration with Portland saxophonist Blu Miles. These two deeply textured compositions mark a new chapter in Kendall’s career, combining intimacy, expansiveness, and emotional depth into a meditative AA-side release. Over the past decade, Kendall has established himself as a quietly influential voice in moder

Aaron Koenig returns with Blow My Mind!, the title track from his eagerly awaited second full-length album, delivering a seamless fusion of spirituality, rhythm, and soulful reflection. A musical free-thinker, Koenig balances profound lyrical themes with grooves that compel the body to move, creating an experience that is both intellectually stimulating and emotionally resonant. The 12-track album is an immersive journey designed for listeners who crave depth in music. Koenig

If 2025 has belonged to anyone in the UK Latino scene, it’s Lisey Tigra.  After a breakthrough year that saw her tearing up Glastonbury’s Shangri-La and packing out The Jazz Café, the British-Colombian artist caps it all with her debut album LT —a record that feels like both a victory lap and a mission statement. Fresh off the success of her swaggering single “BANDIDA,” Tigra rolls into her new era with a sound that hits the sweet spot between old-school reggaetón cool and mo

Almost Alive are back, and they’re diving deeper than ever before.  The New Jersey AI-driven rock project has announced ‘Eclipse Within’ , the lead single from the new album ‘Hypnotica’ . The track marks a striking evolution — slower, heavier, and more immersive in tone. Built around hypnotic progression rather than instant impact, ‘Eclipse Within’  blends modern rock energy with cinematic and progressive atmospheres. The result is a track that feels expansive and inward-look

ÆTHR doesn’t simply release music — he unveils worlds.  With ‘Santa Maria’ , the Madeira-born pop provocateur delivers a brooding electro-pop statement that feels both intimate and monumental, a track suspended between sacred imagery and nocturnal temptation. From its opening seconds, the single pulls you into a shadowy cinematic space where tension simmers beneath every synth line. Sonically, ‘Santa Maria’  thrives on contrast. Gothic atmospheres collide with club-ready prop

On La Insoportable Levedad De No Ser Nadie En Internet , El Marido Ideal turns a mundane annoyance—spam mail—into an existential exploration of identity in the digital age. What begins as an absurd anecdote becomes the backbone of a concept album filled with longing, satire, and sonic boldness. The result is a record that sounds both playful and profound. The album centers on a heartbroken cyber-scammer who chases affection through deception but ultimately seeks the same thin

AKIRAH’s “Mamacita”  is an exercise in sonic narrative, transforming a fleeting moment of video game inspiration into a full-fledged riddim journey.  Drawing from GTA: San Andreas, the track channels the Los Santos Vagos gang into a hyper-real soundscape, where each wobble, drop, and synth line feels both deliberate and kinetic. From the first Latino UK drill-inspired bars, AKIRAH establishes tension that is maintained throughout the track’s relentless momentum. The song’s st

Limahl, the ‘80s icon who first captivated the world as the lead singer of Kajagoogoo, is bringing holiday cheer this December with the re-release of his only Christmas song, ‘One Wish For Christmas’. The track has already generated buzz online, with its official video surpassing 72,000 views. Following the critical acclaim of his five-year comeback single, a reimagined version of ‘A Horse With No Name’, Limahl’s latest effort demonstrates his ability to blend nostalgia with

My Side of Paradise has built a reputation on marrying emo revival aesthetics with pop-rock sensibilities, but their latest release, “All My Exes (feat. Jaret Reddick),”  reveals an unexpected dimension: humor. The track offers a tongue-in-cheek meditation on relational failure, exploring the self-inflicted nature of heartbreak with a degree of narrative self-awareness that feels rare in contemporary emo. Musically, the song is a careful balancing act. Bright, driving guitars

MAB’s new single “The Star Lounge” emerges as a striking re‑entry, one that doesn’t just announce a comeback but rather signals a reinvention. From the very first beat, the song propels listeners into a vivid soundscape where swirling synths and pulsing rhythms evoke an interstellar club — neon lights flickering, silhouettes drifting across a cosmic dance floor. It’s bold, textured, and confidently ambitious. What stands out most is the song’s genre-fluidity. MAB refuses to b

Mayzee’s latest single, “Yes Or No,” wastes no time getting under your skin. It opens with a bright, forward-moving rhythm that immediately signals its intentions: this is a track built for replayability, danceability, and pure serotonin. It’s clean, catchy, and steeped in the kind of instant uplift that Afrobeats does best. The vocals land with a relaxed swagger, the kind that doesn’t demand attention but effortlessly earns it. There’s a refreshing honesty to Mayzee’s storyt

Cohetes’ new single “Cuestión de Tiempo” is the sound of a late-night confession booth, delivered through glossy synth-pop that carries equal parts nostalgia and emotional grit. Colombian artist Juan Pablo pushes his project into its rawest space yet, leaning into a vulnerable register that feels both universal and distinctly personal. There’s a retro shimmer running through the track—something pulled from the late ’80s and ’90s playbook—but Cohetes uses it with intention. Ra