CURIOUS
FOR MUSIC.

Waver are back—and they’re bringing decades of experience with them. The acclaimed rock duo have unveiled their powerful new album, Space and Time, a 13-track project that fuses the raw spirit of ’90s rock with the emotional depth of a lifelong creative partnership. Now available worldwide, the release marks a thrilling new chapter for the band. Mike Sartor and Dorsey Stone first met as college roommates at Colgate University in the late 1990s. What began as late-night jam se

Alt-pop is officially having its “nostalgia but make it cinematic” moment, and Miles Jeppson is walking straight into the centre of it with a grin and a perfectly colour-graded aesthetic. Please join us in giving a huge, warm welcome to an artist who is rapidly becoming one of the most exciting new voices redefining emotional pop for a digital generation. His new eight-track LP Green doesn’t just mark a release — it signals the arrival of a fully formed era. From the opening

FITZ BROTHERS’ “Unsatisfied” is a compact but emotionally expansive indie-pop/rock hybrid that thrives on restraint and gradual intensification. The Vienna duo continue to refine their ability to turn intimate emotional friction into widescreen sonic storytelling. At the core of the track is a lyrical loop that feels almost mantra-like: “I know I’m not the only one for you.” Repeated throughout, it functions less as narrative progression and more as emotional fixation, an ide

This Is What It Feels Like can be understood as a map—not of places, but of emotional states. Whitlock and Bauer chart the contours of connection with a precision that feels both analytical and deeply felt. The result is an album that invites not just listening, but navigation. The production choices reflect this cartographic approach. Sounds are placed with intention, creating a sense of spatial awareness that enhances the album’s thematic concerns. Synths stretch outward li

“Without You” finds Colm Warren working in a space of delicate equilibrium, balancing personal narrative with broader emotional resonance. While rooted in a familial story, the song extends outward, touching on themes of love, resilience, and the often-unspoken transformations that define parenthood. Warren approaches these ideas with a poet’s restraint, allowing suggestion and nuance to carry the weight where exposition might otherwise intrude. What distinguishes the track i

On Dancing In My Room, Yugs doesn’t just deliver an album; he opens a door into a life mid-collapse and slow reconstruction. Five years in the making, the record feels lived-in rather than constructed, stitched together from rupture, recovery, and restless self-interrogation. At 37 minutes and 50 seconds, it moves with intention but never rushes its emotional arrivals. Musically, it’s a borderless sprawl that still somehow holds its shape. Bossa nova brushes against Chicago p

Singer-songwriter Irem Bekter continues to carve out a singular artistic voice with This Winding Road, a deeply personal and cinematic new release shaped by a life lived across cultures. Drawing on influences from Turkey, England, Argentina, and Québec, the album weaves together themes of migration, memory, resilience, love, and transformation through richly textured soundscapes and multilingual storytelling. In this conversation, Irem Bekter reflects on the creative process

D4NN7 BL★CK’s “Heritage” feels like stepping into a neon-lit memory. The Chicago artist continues refining his futuristic hip-hop blueprint, and this latest release might be his most focused yet. Built on experimental production that flickers between digital sharpness and atmospheric haze, the track creates a space where tradition and innovation collide. There’s a clear sense of duality here; his Mexican heritage sits at the emotional centre, while the sonic palette pushes re

Zeroz has always operated like a signal bleeding through too many frequencies at once, and “Year of the Broken” is perhaps the clearest transmission yet from Aidan Christopher Haughey’s overloaded creative system. It’s messy, confrontational, and strangely disciplined in its chaos, as a protest chant refracted through broken glass and anime static. From the opening seconds, the track feels less like a song and more like an intrusion. Noise rock abrasion collides with hyperpop

French singer-songwriter Mary Milton taps into something deeply human on her latest single, “On My Shoulder.” It’s a track that blends emotional vulnerability with a polished, genre-blurring sound, landing somewhere between soul, pop, and cinematic balladry. Milton’s vocals are the undeniable highlight. Fans of H.E.R. will appreciate the warmth and subtlety she brings, while the power in her upper register channels the energy of Jessie J. Production-wise, the track is lush wi

Sev Karlsson’s Reverie arrives with a quiet confidence, unfolding like a series of half-remembered dreams rendered in sound. Across its four tracks, the EP balances delicacy and intention, drawing from the atmospheric sensibilities of artists such as Toro y Moi and Bon Iver while retaining a distinctly personal voice. Karlsson’s production is textured yet restrained, allowing space for each sonic detail to breathe—an approach that lends the project an almost cinematic intimac

On their debut album Dog Summer, Naarm/Melbourne outfit Damn Williams transform suburban Australian imagery into something mythic, strange, and unexpectedly moving. Led by Tasmanian songwriter Elliot Taylor and expanded into a full band with Olmer Bollinger, Carla Oliver, and James Campbell, the project arrives fully formed with a record that feels ambitious in both scope and personality. Across ten tracks, the band weave together punk dissonance, theatrical art-rock, and wa