CURIOUS
FOR MUSIC.

Emerging from the UK music scene with a sound that’s impossible to ignore, Perspective—KG (Lead Vocals), Liam (Bass), Ezra (Drums), and Riccardo (Guitar)—are ready to make waves with their self-written, self-produced 11-track debut album, Look Both Ways. Two-and-a-half years in the making, this record is a bold statement: a sonic fusion of irresistible funk grooves, disco sparkle, pop immediacy, and a punch of alternative energy. The result? A sound that feels familiar enough

OUTER’s “Svartsengi” is a study in suspended motion, a piece that doesn’t progress so much as unfold in slow, deliberate exhalations. Tom Soetaert has long occupied an intersection where ambient composition meets chamber pop, but here he achieves a rare synthesis: a song that feels simultaneously monumental and almost imperceptibly small. The tape-worn piano loop at its center is deceptively simple, the kind of motif that feels discovered rather than composed, as though it ha

Rising alt-indie trio Saltend Recovery deliver a quietly powerful seasonal gem with their new single “Christmas Ambulance”, a cinematic track that balances understated warmth with moments of emotional lift. Crafted with storytelling precision, the song captures the subtle complexities of the festive season, where joy and sorrow often coexist. Produced by Terence Dunn and mixed and mastered by Eddie Al Shakarchi (Voya), the track reflects the band’s meticulous, handcrafted app

Florence-based duo Out Run returns with “Gray Cloud,” an emotionally charged dark-pop ballad that confronts the quiet heaviness of depression and the aching loneliness of the unheard. Released as the next chapter in their signature “80s 3.0” sound, the track drifts between dream pop and atmospheric synthwave, establishing a sonic space where 80s nostalgia meets modern electronic sensitivity. At the centre of the track is a stark, unwavering metaphor: the persistent cloud that

Welcome to our bi-weekly round-up, where we spotlight the freshest releases, emerging voices, and genre-pushing music from across the globe. Whether it's a chart-shaker or an underground gem, if it moves us, it's here. Bringing you music that you should be curious about! Peter DiMaggio ‘Fly Away’ “Fly Away” feels like the emotional pep talk your best friend would give you at 2 a.m. — but set to an anthemic beat that makes healing sound like a party. Peter DiMaggio turns heart

Ben Hazlewood’s ability to weave the familiar into timeless storytelling strikes once again — this time through his own reimagining of Phil Collins’ “Another Day in Paradise.”   Rather than leaning on nostalgia alone, Hazlewood reframes the classic as something deeply present, allowing its message to breathe in a modern emotional landscape. The result is a cover that feels less like a tribute and more like a conversation across decades. To Ben, “Another Day in Paradise”  is a

There’s something quietly powerful about a debut that doesn’t shout for attention but earns it. The Ingrid are set to unveil their first single, “Limerence,”  an ever-expansive sonic landscape that leans into intimacy, emotional clarity, and hard-won self-acceptance. Rather than rushing toward bombast, the track unfolds patiently, shimmering with the kind of restraint that suggests a band already confident in who they are — and unafraid of the messy truths that come with that

“Fly Away”, the latest single from actor, composer, and singer-songwriter Peter DiMaggio, whose work continues to blur the lines between music, film, and emotional storytelling. “Fly Away” is an expansive slice of indie-pop — atmospheric yet deeply human — that invites listeners to break free from the weight of the past and rediscover their own wings. With lush production and an anthemic spirit, “Fly Away” draws inspiration from The 1975 and Coldplay, marrying layered guitars

Trigger My Aria  sees Maria Rosa La Kakiee exploring the tension between vulnerability and assertion.  The track’s neo-classical strings create an almost cinematic introduction, while the modern beats give it an edge rooted in contemporary hip-hop. Produced by Mike Midura, the song is meticulously crafted, each element feeling deliberate and resonant. Her voice is understated yet piercing; there’s a smoky texture that carries emotional weight without ever tipping into melodra

Nia Perez’s debut EP, Things I Wish I Said , immediately marks her as a compelling new voice in the indie pop landscape—a songwriter who understands that vulnerability is not a branding exercise but a creative compass. The Venezuelan artist has crafted a deeply personal collection of five songs that play like private diary entries, each one shaped as a letter never sent. It’s an intimate concept, but Perez delivers it with remarkable polish and artistic poise. The opening tra

Peruvian DJ/producer Diego Barrera and Cameroonian vocalist Ameh Fashi join forces on Legendary, a thunderous Afro-house collaboration released via Glasgow Underground that feels as expansive as the distance between their home continents. It’s a meeting of two bold artistic identities, two rhythmic traditions, and two unmistakable creative energies, all colliding in a track built to shake peak-time dancefloors. From its opening moments, Legendary surges with purpose. Fashi’s

Rachel Harlow’s new single, Caelina , is a hauntingly cinematic exploration of grief, loss, and transcendence. Berlin-based and classically trained as a violinist, Harlow has spent years transforming personal hardship into music that’s at once intimate and expansive. Her artistry lies in her ability to balance fragility and strength, creating songs that feel deeply personal while resonating on a universal level. Following her previous singles, which earned recognition on Spot