CURIOUS
FOR MUSIC.

There is a particular kind of courage required to place your own well-being ahead of the expectations of others. On Selfish, the second single from Untitled Soul Project, Hakeem Martin and small village transform that difficult act into something powerful, poetic, and strangely liberating. What could have easily become a straightforward meditation on self-care instead emerges as a stirring anthem for anyone who has ever lost themselves in the pursuit of pleasing everyone else

If the modern internet has completely fried your brain, Elare André has made the soundtrack for it. MUSIC FOR ALL OCCASIONS is messy, emotional, hyper-online, funny, exhausted, sexy, and occasionally overwhelming — often all at the same time. But that’s exactly the point. The debut full-length arrives after André spent the last two years quietly dropping tracks out of order across streaming platforms, almost disguising the scope of the project in plain sight. Reassembled for

Katie Dauson approaches Change with the confidence of an artist no longer interested in creative limitations. The songwriter’s eighth studio album is rich with vintage influence, yet entirely unconcerned with sounding retro for the sake of aesthetics alone. Instead, Dauson uses familiar textures, folk, rockabilly, classic pop, and Americana, as emotional tools to examine transformation, uncertainty, and self-renewal. There’s an understated sophistication to the album’s constr

MIIA’s latest single “Necessary Evil” feels like the sound of emotional vulnerability colliding headfirst with the energy of the underground. The Norwegian artist, long recognised for the haunting intensity of her vocals and cinematic songwriting, steps confidently into UK garage and speed garage territory here, delivering a track that feels darker, sharper, and more rhythmically urgent than anything in her catalogue so far. It’s a compelling reinvention that never sacrifices

Kevin Farge’s Country Love Song is not so much an album as it is an environment; humid, breathing, and insistently alive. Across 27 tracks and 1 hour 22 minutes, it resists the tidy logic of sequencing in favor of something more organic: drift, return, recurrence. It feels less composed than grown. Recorded in a Costa Rican cabin above a surf break, the record carries its geography in its pores. You can hear it in the softened edges of the production, in the way instruments s

Some songs feel like fleeting moments; others feel like memories unfolding in real time. Peter DiMaggio’s ‘Chasing A Trace’ belongs firmly in the latter category. The new single from the award-winning performer and songwriter arrives wrapped in gentle nostalgia, offering a beautifully realised portrait of what it means to search for meaning within the remnants of the past. Recorded across multiple cities and continents, the track possesses an understated cinematic quality. Ac

In a cultural moment obsessed with speed, Gab Gordon is embracing slowness. Her music unfolds patiently, allowing emotion to gather gradually through atmosphere, texture, and melodic detail rather than immediate payoff. It’s an approach that gives her songs a rare sense of emotional depth, particularly on her latest single “Slowburn,” a standout release from her EP The Pretty Bazaar. Gordon’s artistic foundation began just outside Philadelphia, where music was woven naturally

Some collaborations feel engineered for streaming algorithms; others arrive with genuine creative chemistry. “Stoned,” the new single from producer multi-instrumentalist NMDA and vocalist Isabelle Rose, belongs firmly to the latter category. Combining electronic experimentation with deeply rooted soul and gospel influences, the track emerges as a striking meditation on trauma, healing, and emotional accountability delivered through richly cinematic production. NMDA’s artistic

Sylvain Zebo’s latest single, “Test,” is a striking example of contemporary French pop crafted with patience, intelligence, and emotional depth. Operating within a space occupied by artists such as Alain Bashung, Marc Lavoine, and Étienne Daho, Zebo demonstrates an understanding of atmosphere that elevates the song beyond conventional pop songwriting. The nearly five-minute composition unfolds gradually, inviting listeners into a reflective and immersive sonic environment. Fr

Utah-based pianist, composer, and creative entrepreneur Reese Harper returns with A Waltz in the Woods, a deeply personal body of work shaped by upheaval, grief, and gradual emotional reconstruction. Built around intimate piano performance and restrained cinematic textures, the project feels less like a formal debut and more like a document of survival—music that was not designed for an audience at first, but for endurance. The origins of the record trace back to a period in

There is an undeniable warmth running through Kanistha's latest single, ‘Mr. Right’. Radiant and heartfelt, the track finds the Thai-Canadian artist embracing a new chapter of confidence, delivering a pop release that feels both deeply personal and effortlessly uplifting. From the opening moments, shimmering production creates an inviting atmosphere, one that perfectly complements Kanistha's smooth and expressive vocal performance. The song unfolds with a sense of ease, balan

With Divine Intermission, Dayfiction continue their rapid ascent from Richmond underground hopefuls to one of post-punk’s most compelling emerging names. The Virginia quintet have spent the last year honing their identity through a string of increasingly assured releases and high-profile support slots, and this latest EP arrives as the clearest articulation yet of their creative trajectory. It’s a record shaped by movement; geographical, emotional, and artistic. Written durin